ARTICLES
Jussi Parikka (2026) Wind: an environmental data stack. In, Merkle, Benedikt and Siegert, Bernhard (eds.) Reckoning with Everything: The Becoming-Environmental of Computation. Luneburg. meson press
Stephen Cornford (2026) Circular Economies, Recycled Colonies. In, Adams, Erin and Varga, Bretton (eds.) Spatial Woundings: Entanglements of Mining, Metals, and Extraction. University of Exeter Press.
Kwame Phillips (2026) ‘Where’s that gotten us?’: Horace Ové’s Pressure and the fallacy of white respectability. In, Austin, Thomas (ed.) Black Image Making and Whiteness. Edinburgh. Edinburgh University Press, pp. 39-57.
Pan, Angelina, Mchugh, Jennifer and Bian, Jingnan (2026) From Edgeland to Gentrified-land: Graphic communication as intermediary for negotiating place identity in Hackney Wick, London. In, Proceedings of Design Research Society. Edinburgh, UK.
ARTWORKS
Stephen Cornford & Theo Stanley (2026) Occlusion. [19’15”, single channel video, stereo sound]
Megen de Bruin-Molé (editor) and Francis Gene-Rowe (contributing author) (2026) Compost Futures [zine] London Science Fiction Research Community
ARTICLES
Alexandra Anikina & Yasemin Keskintepe (2025) “Diagrams: A Series of Failures” in Genova, Neda (ed.) Post-communist grounds. In search of the commons. Amsterdam: Institute of Network Cultures.
Megen de Bruin-Molé and Amy Brookes (2025) Notes on a research proposal: the speculative space of galleries, libraries, archives, and museums. Imaginations: Journal of Cross-Cultural Image Studies.
Stephen Cornford (2025) Economic geotechnics: visualizing the value of European minerals. In, Büsse, Michaela, Samson, Audrey and Gallardo, Francisco (eds.) EURO-VISION: Undergrounding the Critical Mineral. K. Verlag
Stephen Cornford “Bluetooth Extractions: Geomagnetism & Metallurgy” in Tekhne Journal, issue 2: Materia Prima.
Ryan Bishop (2025) Spectral pursuits in secret gardens: of phonetics, surveillance, and cold war lab-prisons. In, Nesbitt, Jeffrey (ed.) Constructing Invisibility: Infrastructure, Militarization, and the Extreme Environment. Novato CA (USA). ORO Editions.
Ryan Bishop (2025) The persistence of the Umwelt in planetarity. Global Perspectives, 6 (1)
Yaiza Hernández Velázquez (2025) La memoria del resort: The memory of the resort. In, Montesdeoca, Beatriz Sánchez (ed.) Teresa Arozena. Kanarische Landschaften. 1 ed. Teresa Arozena.(Kanarischen Landschaften: Centro Atlántico de Arte Moderno)
Risley, Kristina Louise, Wanick, Vanissa, Gomer, Richard, Gene-Rowe, Francis and Owen, Joseph (2025) Collaborative worldbuilding as sustainable problem-solving: the role of tabletop role-playing games. In, Bucchiarone, Antonio, Rossi, Valentina and Wanick, Vanissa (eds.) Engineering Educational Games for a Sustainable Society: Play, Learn and Transform. 1 ed. Springer Cham.
Liz Gre, “Endarkened Listening” in Situated Listening: Attending to the Unheard, edited by Stephanie Loveless et al. (London: Routledge).
Francis Gene-Rowe (2026) “The Card is not the Future is not the Territory is not the Model is not the Self is also the World” at Tarot Cultures conference, Goldsmiths University.
ARTWORKS
Liz Gre, Kwame Phillips, SA Smythe, Rebecca Pokua Korang (2025), Echoes of Care [performance] transmediale, Berlin.
Francis Gene-Rowe Station to Station [game] published on itch
BOOKS
Abelardo Gil-Fournier & Jussi Parikka (2024) Living Surfaces: Images, Plants, and Environments of Media(Cambridge, MA: MIT Press).
Louise Siddons (2024) Good Pictures Are a Strong Weapon: Laura Gilpin, Queerness, and Navajo Sovereignty (Minneapolis: University of Minnesota Press).
Kwame Phillips & Debra Vidali (2024) “Creating an Ethnographic Exhibit” in The Creative Ethnographer’s Notebook. Ed. M. Cahnmann-Taylor & K. Jacobsen.
ARTICLES
Miguel Amado and Georgia Perkins, ‘Interplanetary Cemetery’ in Anton Vidokle: Citizens of the Cosmos, ed. Miguel Amado (Berlin: Sternberg Press, 2024).
Ryan Bishop & Jussi Parikka (eds.) (2024) special issue of Media+Environment “Weather Report: Wind as Model, Media and Experience” co-edited with JR Carpenter, Maximillian Gregor Hepach, Jussi Parikka and Birgit Scheider.
Ryan Bishop (2024) “Eyes, Ears, Mouths: A Sensorial Military Triptych (with satellite, electronic music and vocoder)”. In War and Aesthetics: Art, Technology, and the Futures of Warfare, edited by. Jens Bjering, Anders Engberg-Pedersen, Solveig Gade, and Christine Strandmose Toft. Cambridge, MA: MIT Press.
Ryan Bishop (2024) “Aesthetics and Metaphysics in the Meantime and Nowhere: Techno-medial Opportunities for Philosophy, Politics and Critique,” Philosophy, Politics and Critique, 1:1.
Megen de Bruin-Molé (2024) “Haunted TikTok: Comedy in Gothic Times” in Comic Gothic: An Edinburgh Companion, edited by Avril Horner and Sue Zlosnik (Edinburgh: Edinburgh University Press).
Stephen Cornford (2024) “Operative Landscapes of Digitisation, Collateral Landscapes of Circularity” in Digital Technologies for Sustainable Futures: Promises and Pitfalls, edited by Chiara Certomà, Fabio Iapaolo, Federico Martellozzo, (London: Routledge).
Liz Gre, “Co-Writing a Hymn for Liberation” in Hymns and Constructions of Race: Mobility, Agency, De/Coloniality, edited by Erin Johnson-Williams, Philip Burnett. (London: Routledge).
Víctor Mazón Gardoqui , Jussi Parikka (2024) “Vortex: Artistic and Curatorial Practices for Wind” in Cultural Politics 20:3 (Duke University Press).
Kwame Phillips (2024) “A Contested Dalston Space: Future Hackney and a Gillett Square Story” The London Journal.
EXHIBITIONS
Stephen Cornford, Four Million Tonnes per Annum,Pound Arts, Corsham, February – March 2024.
Liz Gre, Embodied Cacophonies, Lindisfarne Castle, 2024-2025.
Queering Connections: Triangulation (Katherine Anteney, Sally Schuh, Louise Siddons), The Winchester Gallery, 30 January – 24 February 2024.
Climate Engines, curated by Daphne Dragona & Jussi Parikka at Laboral Centro de Arte y Creación Industrial, October 2023 – May 2024.
Kwame Phillips, Dreadstar Meets the Space Invaders, Sound 2024, LCB Depot, 2-20 September, 2024.
BOOKS
Stephen Cornford (2023) Petrified Media. The Eriskay Connection.
Kristoffer Gansing (2023) Homegrown, Outsourced, Organised: Networbased Arts & the Technoaesthetics of Infrastructure (Orig: Hjemmedyrket, outsourcet, organiseret: infrastrukturens teknoæstetik og den netværksbaserede kunst), Art as Forum Book series, Copenhagen University & Billedkunstnernes Forlag.
Jussi Parikka (2023) Operational Images: From the Visual to the Invisual. University of Minnesota Press.
The Palgrave Handbook of Critical Posthumanism (edited by Megen de Bruin-Molé, Stefan Herbrechter, Ivan Callus, Manuela Rossini, Marija Grech, and Christopher Müller) (2023) London: Palgrave Macmillan.
Textual Frames: Following the Fish (edited by Ryan Bishop, AbdouMaliq Simone and Daniel Cid Moragas) (2023) Barcelona: Quadrens (Architectural Association of Catalonia), published in English, Catalan, Italian and Wolof.
ARTICLES
Alexandra Anikina (2023) Things in the background: video conferencing and the labor of being seen. In, Volmar, Axel, Moskatova, Olga and Distelmeyer, Jan (eds.) Video Conferencing: Infrastructures, Practices, Aesthetics. (Digital Society) Columbia University Press.
Ryan Bishop (2023) “Volumes of Transindividuation: The Spaciousness of Localities and the Urban in Bernard Stiegler,” co-authored with AbdouMaliq Simone, Cultural Politics.
Stephen Cornford (2023) ‘Inverting Resolution: Accounting for the planetary cost of earth observation’. Journal of Visual Culture, Vol 22, Issue 1.
Tsvetelina Hristova (2023) “The politics of mediation: subjectivity, value and power in the digital grid of Aadhaar”, Journal of Cultural Economy.
Louise Siddons (2023) “’Collaborating with the past’: Shane Balkowitsch at Pitt Rivers Museum, Photo Oxford blog.
EXHIBITIONS
Ordinary Things, curated by Louise Siddons, The Winchester Gallery, 02 – 25 November 2023.
A Videostore After the End of the World, curated by Kristoffer Gansing and Linda H. Ritasdatter at Collega and Arnestedet (Vesterbro Bibliotek & Kulturhus) March 8 & April 24 – May 14, 2023.
ARTWORKS
Stephen Cornford (2023) Spectral Index, Commissioned by Avantwhatever.
BOOKS
Tsvetelina Hristova, Brett Neilson & Ned Rossiter (eds) (2022) Data Farms, Open Humanities Press.
ARTICLES
Ryan Bishop (ed.) (2022) Bernard Stiegler and the Internation Project: Computational Practices and Circumscribed Futures, special issue of Theory, Culture and Society, 39: 7-8.
Megen de Bruin-Molé (2022) “Autonomous: Bioethics and/as intellectual property,” in Bioethics and the Posthumanities (pp. 77-84), edited by Danielle Sands. Routledge (Routledge Focus).
Kristoffer Gansing (2022) “The Cinema of Extractions: Film as Infrastructure for (Artistic?) Research”, International Journal of Film and Media Arts, Vol. 7, Nº. 1 pp. 94-114.
Louise Siddons(2022) “The Visual Politics of Queerness on the Navajo Nation,” in Mey-Yen Moriuchi and Lesley Shipley, eds., Art and Activism in the Twenty-First Century (London: Routledge) 125-139.
EXHIBITIONS
Transformative Futures – Re-imaginations of Time, Space and Materiality in Artistic Research, curated by Kristoffer Gansing at Kunsthal Charlottenborg Oct 27-28, 2022. With Diakron, Elvia Wilk, David Toop, Jussi Parikka, Lucia D’Errico, Søren Kjærgaard & Torben Snekkestad, Trampolinhuset among others.
For previous publication activity, see AMT