ARTICLES
Jussi Parikka (2026) Wind: an environmental data stack. In, Merkle, Benedikt and Siegert, Bernhard (eds.) Reckoning with Everything: The Becoming-Environmental of Computation. Luneburg. meson press
Stephen Cornford (2026) Circular Economies, Recycled Colonies. In, Adams, Erin and Varga, Bretton (eds.) Spatial Woundings: Entanglements of Mining, Metals, and Extraction. University of Exeter Press.
Kwame Phillips (2026) ‘Where’s that gotten us?’: Horace Ové’s Pressure and the fallacy of white respectability. In, Austin, Thomas (ed.) Black Image Making and Whiteness. Edinburgh. Edinburgh University Press, pp. 39-57.
Pan, Angelina, Mchugh, Jennifer and Bian, Jingnan (2026) From Edgeland to Gentrified-land: Graphic communication as intermediary for negotiating place identity in Hackney Wick, London. In, Proceedings of Design Research Society. Edinburgh, UK.
ARTWORKS
Stephen Cornford & Theo Stanley (2026) Occlusion. [19’15”, single channel video, stereo sound]
Megen de Bruin-Molé (2026) Compost Futures. [zine]
ARTICLES
Alexandra Anikina & Yasemin Keskintepe (2025) “Diagrams: A Series of Failures” in Genova, Neda (ed.) Post-communist grounds. In search of the commons. Amsterdam: Institute of Network Cultures.
Megen de Bruin-Molé and Amy Brookes (2025) Notes on a research proposal: the speculative space of galleries, libraries, archives, and museums. Imaginations: Journal of Cross-Cultural Image Studies.
Stephen Cornford (2025) Economic geotechnics: visualizing the value of European minerals. In, Büsse, Michaela, Samson, Audrey and Gallardo, Francisco (eds.) EURO-VISION: Undergrounding the Critical Mineral. K. Verlag
Stephen Cornford “Bluetooth Extractions: Geomagnetism & Metallurgy” in Tekhne Journal, issue 2: Materia Prima.
Ryan Bishop (2025) Spectral pursuits in secret gardens: of phonetics, surveillance, and cold war lab-prisons. In, Nesbitt, Jeffrey (ed.) Constructing Invisibility: Infrastructure, Militarization, and the Extreme Environment. Novato CA (USA). ORO Editions.
Ryan Bishop (2025) The persistence of the Umwelt in planetarity. Global Perspectives, 6 (1)
Risley, Kristina Louise, Wanick, Vanissa, Gomer, Richard, Gene-Rowe, Francis and Owen, Joseph (2025) Collaborative worldbuilding as sustainable problem-solving: the role of tabletop role-playing games. In, Bucchiarone, Antonio, Rossi, Valentina and Wanick, Vanissa (eds.) Engineering Educational Games for a Sustainable Society: Play, Learn and Transform. 1 ed. Springer Cham.
Liz Gre, “Endarkened Listening” in Situated Listening: Attending to the Unheard, edited by Stephanie Loveless et al. (London: Routledge).
PERFORMANCES
Liz Gre, Kwame Phillips, SA Smythe, Rebecca Pokua Korang (2025), Echoes of Care, transmediale, Berlin.
BOOKS
Abelardo Gil-Fournier & Jussi Parikka (2024) Living Surfaces: Images, Plants, and Environments of Media(Cambridge, MA: MIT Press).
Louise Siddons (2024) Good Pictures Are a Strong Weapon: Laura Gilpin, Queerness, and Navajo Sovereignty (Minneapolis: University of Minnesota Press).
Kwame Phillips & Debra Vidali (2024) “Creating an Ethnographic Exhibit” in The Creative Ethnographer’s Notebook. Ed. M. Cahnmann-Taylor & K. Jacobsen.
ARTICLES
Miguel Amado and Georgia Perkins, ‘Interplanetary Cemetery’ in Anton Vidokle: Citizens of the Cosmos, ed. Miguel Amado (Berlin: Sternberg Press, 2024).
Ryan Bishop & Jussi Parikka (eds.) (2024) special issue of Media+Environment “Weather Report: Wind as Model, Media and Experience” co-edited with JR Carpenter, Maximillian Gregor Hepach, Jussi Parikka and Birgit Scheider.
Ryan Bishop (2024) “Eyes, Ears, Mouths: A Sensorial Military Triptych (with satellite, electronic music and vocoder)”. In War and Aesthetics: Art, Technology, and the Futures of Warfare, edited by. Jens Bjering, Anders Engberg-Pedersen, Solveig Gade, and Christine Strandmose Toft. Cambridge, MA: MIT Press.
Ryan Bishop (2024) “Aesthetics and Metaphysics in the Meantime and Nowhere: Techno-medial Opportunities for Philosophy, Politics and Critique,” Philosophy, Politics and Critique, 1:1.
Megen de Bruin-Molé (2024) “Haunted TikTok: Comedy in Gothic Times” in Comic Gothic: An Edinburgh Companion, edited by Avril Horner and Sue Zlosnik (Edinburgh: Edinburgh University Press).
Stephen Cornford (2024) “Operative Landscapes of Digitisation, Collateral Landscapes of Circularity” in Digital Technologies for Sustainable Futures: Promises and Pitfalls, edited by Chiara Certomà, Fabio Iapaolo, Federico Martellozzo, (London: Routledge).
Liz Gre, “Co-Writing a Hymn for Liberation” in Hymns and Constructions of Race: Mobility, Agency, De/Coloniality, edited by Erin Johnson-Williams, Philip Burnett. (London: Routledge).
Víctor Mazón Gardoqui , Jussi Parikka (2024) “Vortex: Artistic and Curatorial Practices for Wind” in Cultural Politics 20:3 (Duke University Press).
Kwame Phillips (2024) “A Contested Dalston Space: Future Hackney and a Gillett Square Story” The London Journal.
EXHIBITIONS
Stephen Cornford, Four Million Tonnes per Annum,Pound Arts, Corsham, February – March 2024.
Liz Gre, Embodied Cacophonies, Lindisfarne Castle, 2024-2025.
Queering Connections: Triangulation (Katherine Anteney, Sally Schuh, Louise Siddons), The Winchester Gallery, 30 January – 24 February 2024.
Climate Engines, curated by Daphne Dragona & Jussi Parikka at Laboral Centro de Arte y Creación Industrial, October 2023 – May 2024.
Kwame Phillips, Dreadstar Meets the Space Invaders, Sound 2024, LCB Depot, 2-20 September, 2024.
BOOKS
Stephen Cornford (2023) Petrified Media. The Eriskay Connection.
Kristoffer Gansing (2023) Homegrown, Outsourced, Organised: Networbased Arts & the Technoaesthetics of Infrastructure (Orig: Hjemmedyrket, outsourcet, organiseret: infrastrukturens teknoæstetik og den netværksbaserede kunst), Art as Forum Book series, Copenhagen University & Billedkunstnernes Forlag.
Jussi Parikka (2023) Operational Images: From the Visual to the Invisual. University of Minnesota Press.
The Palgrave Handbook of Critical Posthumanism (edited by Megen de Bruin-Molé, Stefan Herbrechter, Ivan Callus, Manuela Rossini, Marija Grech, and Christopher Müller) (2023) London: Palgrave Macmillan.
Textual Frames: Following the Fish (edited by Ryan Bishop, AbdouMaliq Simone and Daniel Cid Moragas) (2023) Barcelona: Quadrens (Architectural Association of Catalonia), published in English, Catalan, Italian and Wolof.
ARTICLES
Alexandra Anikina (2023) Things in the background: video conferencing and the labor of being seen. In, Volmar, Axel, Moskatova, Olga and Distelmeyer, Jan (eds.) Video Conferencing: Infrastructures, Practices, Aesthetics. (Digital Society) Columbia University Press.
Ryan Bishop (2023) “Volumes of Transindividuation: The Spaciousness of Localities and the Urban in Bernard Stiegler,” co-authored with AbdouMaliq Simone, Cultural Politics.
Stephen Cornford (2023) ‘Inverting Resolution: Accounting for the planetary cost of earth observation’. Journal of Visual Culture, Vol 22, Issue 1.
Tsvetelina Hristova (2023) “The politics of mediation: subjectivity, value and power in the digital grid of Aadhaar”, Journal of Cultural Economy.
Louise Siddons (2023) “’Collaborating with the past’: Shane Balkowitsch at Pitt Rivers Museum, Photo Oxford blog.
EXHIBITIONS
Ordinary Things, curated by Louise Siddons, The Winchester Gallery, 02 – 25 November 2023.
A Videostore After the End of the World, curated by Kristoffer Gansing and Linda H. Ritasdatter at Collega and Arnestedet (Vesterbro Bibliotek & Kulturhus) March 8 & April 24 – May 14, 2023.
ARTWORKS
Stephen Cornford (2023) Spectral Index, Commissioned by Avantwhatever.
BOOKS
Tsvetelina Hristova, Brett Neilson & Ned Rossiter (eds) (2022) Data Farms, Open Humanities Press.
ARTICLES
Ryan Bishop (ed.) (2022) Bernard Stiegler and the Internation Project: Computational Practices and Circumscribed Futures, special issue of Theory, Culture and Society, 39: 7-8.
Megen de Bruin-Molé (2022) “Autonomous: Bioethics and/as intellectual property,” in Bioethics and the Posthumanities (pp. 77-84), edited by Danielle Sands. Routledge (Routledge Focus).
Kristoffer Gansing (2022) “The Cinema of Extractions: Film as Infrastructure for (Artistic?) Research”, International Journal of Film and Media Arts, Vol. 7, Nº. 1 pp. 94-114.
Louise Siddons(2022) “The Visual Politics of Queerness on the Navajo Nation,” in Mey-Yen Moriuchi and Lesley Shipley, eds., Art and Activism in the Twenty-First Century (London: Routledge) 125-139.
EXHIBITIONS
Transformative Futures – Re-imaginations of Time, Space and Materiality in Artistic Research, curated by Kristoffer Gansing at Kunsthal Charlottenborg Oct 27-28, 2022. With Diakron, Elvia Wilk, David Toop, Jussi Parikka, Lucia D’Errico, Søren Kjærgaard & Torben Snekkestad, Trampolinhuset among others.
For previous publication activity, see AMT